* reviews of things i found on (mostly) netflix *
* now with spoilers *
This review does indeed have significant spoilers.
Aaviri is an Indian horror-thriller, wherein a family’s older daughter dies of an asthma attack after being left alone in the swimming pool. After this tragedy, her parents decide to leave the house because there are too many sad memories; they move with their younger daughter into a new house, where the little girl has supernatural experiences and seems to be talking to a ghost or imaginary friend.
In the end, this ghost/imaginary friend ends up being the spirit of the older daughter, who’s trying to protect her family from a vengeful ghost. Her efforts are not particularly helpful, as the mother is possessed by the angry spirit and nearly kills the younger daughter. In the end, though, the little girl is rescued, the mother de-possessed, and the guilty party caught and punished for his crimes.
The atmosphere in Aaviri is good – suitably creepy, not hidden in deep, unnecessary shadows. The characters are presented fairly realistically, although the mother is a little histrionic and the father is randomly detached and then jovial. The scary effects are largely practical, and since they typically happen in daylight or brightly lit rooms, they seem more unexpected and effective. We’re not sure at first if the little girl’s imaginary friend is good or bad or even real, and this ambiguity goes all the way to the final act of the film, when we’re introduced to the vengeful spirit that’s actually behind the negative supernatural experiences.
We get to see pretty early on that the father is cheating on his wife and is basically sexually harassing women at work, but since we witnessed the older daughter’s death, we don’t associate the father with any kind of murderous tendencies. We don’t particularly like him as far as a husband, but he seems to be a loving dad. This helps set up the reveal at the end … but ultimately we weren’t disposed to like him anyway, so we aren’t surprised or disappointed when we find out what he had done to anger the vengeful spirit. We also don’t get any back story on him or on the family, though, so we have zero clues to what the vengeful spirit might be upset about or even to the existence of said spirit at all. We’re asked to think that the angry ghost is the older daughter, but … why? Nothing in any interaction suggested a negative home life for the girls or any tension between the parents. It’s just a red herring that’s not even plausible enough to really fool the audience.
Not being from India myself, usually when I watch something that doesn’t explain the mythology or the interactions with the supernatural, I just assume that in the film’s country of origin, these things are a given that the general local audience would understand. But even with that assumption, I felt that the segue into the vengeful spirit and the possession and the escalation of paranormal occurrences was super abrupt, with no lead-in or connection to existing events – we’re just supposed to know that this was going to happen, even though the creepy atmosphere the whole rest of the film was subtle and slow-paced. Basically, we’re settling into a slow-burn, tiny-clues sort of film and then – BAM! – we’re drenched with a bucket of cold water. Maybe he wanted us to feel like we were suddenly possessed? We also don’t get much of a timeline for the abduction of the little girl, so our fear for her is pretty much nonexistent, but then suddenly she’s at death’s door and we’re supposed to feel the nervous tension of an undetonated-bomb action movie.
The father’s crimes aren’t that connected to his philandering and creeping on his coworkers. Maybe the director didn’t think being an unfaithful creep was “bad”, and that we would be stunned by the revelation that the father did the thing (dun-dun-duuunnn)?
The mother, who’s been on edge the whole film, somehow recovers from being possessed as though it happens every Tuesday; the vengeful ghost isn’t acknowledged for what she went through as much as I would have hoped, since the whole movie is about how she was wronged. The older daughter seems to have died for no reason, and the ghost’s targeting the father’s family instead of just him directly didn’t mesh with what we knew of her.
Overall, it was not super bad … but it was not super good. The atmosphere was compelling, but to be honest, it was the only reason I kept watching after the half-way mark, because the plot moves pretty slowly. The kids do a good job acting, but the adults aren’t as consistent at it, and that imbalance makes the flaws more obvious. The director is also the man who plays the father, and I’m thinking he should not direct himself. The practical effects made for a creepier experience, but the possessed effects sort of … didn’t. It’s not a waste of your time, but it’s also not the end of the world if you don’t get around to it.
4 out of 10