* reviews of things i found on (mostly) netflix *
* now with spoilers *
The Chaperone depicts the transition of the main character, Ray, out of prison and back into the regular world, and follows his attempts to reconnect with his teenage daughter Sally. He hopes to spend time with her, but she’s not sure she wants to spend time with him – he’s been gone for a few years – so he contrives to be one of the chaperones on her school field trip to New Orleans.
Unfortunately, the men from his prior life want him to rejoin them, and when he chooses the field trip over a bank heist, his former partners blame the heist’s failure on Ray. They follow him – and the school bus – to New Orleans, where they hope to punish Ray for abandoning them.
Ray has a mentor, a radio-show host, whose guidance helped him both to weather his time in prison and to become a better man upon his release. Her motto is applicable to anyone: “Confront your past, be truthful about it, and let it go.” When his daughter suggests that he had gone to jail for something he didn’t do, he says that, even though the others didn’t get caught for their part in the crime, Ray himself had actually done the thing he had gone to prison for, and there was no reason to pretend otherwise.
Ray demonstrates ethical and positive behaviour and decision-making, even when taking an easier, more lucrative, and less ethical path was consistently offered to him. Ultimately, he earns the respect of his daughter and her mother, avoids going back to the life that sent him to prison, and continues his journey to improve himself as a father and as a human being.
Obviously, action comedies (much like romantic comedies) rely on premises that are fairly unlikely and even ridiculous; this isn’t particularly a negative aspect of a movie as long as you know what you’re getting yourself into. The Chaperone’s premise is actually a more realistic one than some I’ve seen, and it’s consistent throughout. In fact, the bad guys – Ray’s former “friends” – aren’t presented as really all that scary, and are often comical in their words and actions, but this only makes it more jarring when it turns out they really are bad, and they really intend to hurt Ray and his family. Depicting the bad guys in this way supports the metaphor of Ray’s journey – we can see very well how he got caught up in criminal activities with these men who seemed so friendly and so harmless; we can see that Ray had probably started out as blind to their true colours as we were, and that he didn’t see how deep a hole he had dug for himself until it was too late. He never cries victim, though, which shows us that he’s living up to his mentor’s motto about accepting the truth.
The acting is solid – although some of the characters are stereotypical – and the pacing is good. Do school trips really look like that? Probably not. Does law enforcement really work that way? Almost certainly not. But the movie is an action-comedy, not a gritty drama, and the more lighthearted approach allows the focus to be on Ray and Sally rather than on the more difficult questions of good and evil. It also allows the film to be family-friendly, which is great, since it lets a good message be delivered to as many people as possible.
In the end, the film is about the truth motto Ray learned from his mentor – not just to accept our own truth and to be honest, but to realize that every experience is a lesson that can move us forward. We can be released from our personal prisons by seeing the possibility of change, growth, and redemption. We can learn, and improve, and become someone who deserves another chance.
This movie was one of my first streaming experiments – and one that I shared with my young son – and I’m really glad we gave it a shot.
10 out 10